Gender and Sex Worksheet

————————————————- Associate Program Material Gender and Sex Worksheet Answer the following questions in 50 to 150 words each. Provide citations for all the sources you use. What is gender? What is sex in biological terms? Are gender and sex the same thing? Explain why or why not? Gender is wheather a person is male or female. Sex in biological terms is the property or quality by which organisms are classified as female or male on the basis of their reproductive organs and functions.Gender and sex are not the same sex refers to the differences of biological and gender describes the characteristics of male and females. How do gender and sex contribute to the concepts and constructions of masculinity and femininity? * Gender and sex contribute to the concepts and constructions of masculinity and femininity in many ways. Gender and sex concepts and constructions of masculinity and feminity of being able to tell the difference between the two. They show them as being completely different like males being the protector and the ladies as being caring and emotional.Do our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity? * Yes, I do feel that our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity. I feel that we look at males in one light and females in another, we all at some point expect men to be the ones that are tough, and brave and look at women as being emotional. When it could be the other way around. Do our concepts of gender and sex contribute to our understanding of sexual orientation? Explain.Yes, I feel that our concepts of gender and sex contribute to our understanding of sexual orientation in many ways. We have a understanding of what each gender is and what they provide, causing us to make a decision on who we want to be with in life. Whether we are Heterosexual: att racted to individuals of the opposite sex, Bisexual: attracted to members of either sex, Homosexual: attracted to individuals of one's own sex. References Debbie Bridges, August 02, 2012, Sexual Orientation, Retrieve from: www. webmd. com Brandon Jones, March 18,2013, Sex and gender distinction, Retrieve from: www. wikipedia. org/wiki/Sex_and_gender_ Gender and Sex Worksheet 1) What is gender? What is sex in biological terms? Are gender and sex the same thing? Explain why or why not? a. Gender is the condition of being female or male and an internal sense of self. Sex in biological terms refers to the physical attributes such as sex chromosomes and hormones. No they are not the same thing even though much of society uses these words interchangeable to hold the same meaning. Gender is what a person most identifies with internally and externally. And sex is how you are born you are either borne a female or a male. 2) How do gender and sex contribute to the concepts and constructions of masculinity and femininity? b. They play apart in many different ways we are born either male or female which is our sex. This determines what role we will fall in to in society. Gender is our internal self which sex we feel we most identify with. We are born in to the construction society has set out for us. Men are the head and women follow behind and this is seen in many aspects of society. Such as the house hold in wages, job advancement, and job opportunity. 3) Do our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity? c. Yes our concepts do affect the way we view gender and sex in diversity. We believe that there is only a right way and a wrong way and if you do not follow society ways than we are viewed and categorized differently. Our views and the views society says are the norm in which we must follow. 4) Do our concepts of gender and sex contribute to our understanding of sexual orientation? Explain. d. Yes our concepts do contribute to our understanding of sexual orientation our concepts of sex in you are born with female organs or male organs by being born in to a certain sex you will take on a certain role society says you should fit in to. You are also to like or be attracted to the opposite sex as you as society says that this is the norm. Gender and Sex Worksheet Associate Program Material Gender and Sex Worksheet Answer the following questions in 50 to 150 words each. Provide citations for all the sources you use. What is gender? What is sex in biological terms? Are gender and sex the same thing? Explain why or why not? Gender is the description or identification of a person as either male or female. In bioloical terms, sex is described as the biological differences between men and women. Gender and sex are not the same thing. Gender describes a person as male or female, which can be determined by the ender in which a person identifies with.For example, a transgendered female is essentially a person that was born a male, but identifies with females. In this particular situation, the person would be considered female from the gender perspective. However, the person is still considered male from the perspective of sex in the bioloical sense. How do gender and sex contribute to the concepts and constructions of masculinity and femininity? Gende r and sex are major contributors to the concepts and constructions of masculinity and femininity in many ways. The biological sex of a person determines how parents and families interact with their children from birth.If the child is a girl, we dress them in pastel colors and buy them dolls. We tend to be more compassionate towards our daughters. If the child is a boy, we dress them in blue and buy them tonka trucks and action figures. We tend to be more active and athletic with our sons. However, if at some point that child finds themselves to identify with the opposite gender, they will exhibit characteristics of that gender (i. e. a male with feminine behaviors and characteristics). Do our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity?I think that our society’s concepts of gender and sex definitely contribute to how we embrace gender and sex. We tend to be less open-minded if a transgendered woman prefers to be addressed as a male and wants to be called by a male name. We are uncomfortable when a male dresses as a female and exhibits feminine behaviors and characteristics. In actuality, we should all accept those for who they are, no matter their gender or sex. Do our concepts of gender and sex contribute to our understanding of sexual orientation? Explain. Our concepts of gender and sex can contribute to our understanding of sexual orientation.It is considered normal to be heterosexual in our society and being gay or lesbian is becoming more acceptable in our society. However, if a transgendered woman, who is biologically a male, chooses to be intimate with a male it is considered to be homosexual behavior. This scenario could go both ways because the transgendered woman considers herself a man being intimate with a woman, which is characteristically heterosexual behavior. I believe that love is universal ans should not be defined as heterosexual or homosexual. People should be with the person that they lov e unconditionally, whether they are male or female. Gender and Sex Worksheet ————————————————- Associate Program Material Gender and Sex Worksheet Answer the following questions in 50 to 150 words each. Provide citations for all the sources you use. What is gender? What is sex in biological terms? Are gender and sex the same thing? Explain why or why not? Gender is wheather a person is male or female. Sex in biological terms is the property or quality by which organisms are classified as female or male on the basis of their reproductive organs and functions.Gender and sex are not the same sex refers to the differences of biological and gender describes the characteristics of male and females. How do gender and sex contribute to the concepts and constructions of masculinity and femininity? * Gender and sex contribute to the concepts and constructions of masculinity and femininity in many ways. Gender and sex concepts and constructions of masculinity and feminity of being able to tell the difference between the two. They show them as being completely different like males being the protector and the ladies as being caring and emotional.Do our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity? * Yes, I do feel that our concepts of gender and sex contribute to the ways we embrace gender and sex in diversity. I feel that we look at males in one light and females in another, we all at some point expect men to be the ones that are tough, and brave and look at women as being emotional. When it could be the other way around. Do our concepts of gender and sex contribute to our understanding of sexual orientation? Explain.Yes, I feel that our concepts of gender and sex contribute to our understanding of sexual orientation in many ways. We have a understanding of what each gender is and what they provide, causing us to make a decision on who we want to be with in life. Whether we are Heterosexual: att racted to individuals of the opposite sex, Bisexual: attracted to members of either sex, Homosexual: attracted to individuals of one's own sex. References Debbie Bridges, August 02, 2012, Sexual Orientation, Retrieve from: www. webmd. com Brandon Jones, March 18,2013, Sex and gender distinction, Retrieve from: www. wikipedia. org/wiki/Sex_and_gender_

Literature Cape Essay

Many critics attempt to show how the disguise relate to the different parts, and/or different characters of the play. This story explores a cariety of themes and issues, however disguise, deceit, celebration and festivity are the major, more prominent ones. Although the play is a â€Å"silly play† said by Samuel Pepys, who saw the play on three occasions, many critics feel the play’s use of language used to deceive and the failure of characters to communicate properly and effectively and truthfully, made it confusing. The Twelfth Night (January 6th) is actually the Epiphany. During the Epiphany noble households sponsored numerous performances of plays, masques, banquets and kinds of activities. This story opens up to a man, Curio dressing for the plans of that night. While dressing, he confesses how he feels towards a woman named Olivia. Olivia, a well-to-do woman, wants little Analysis of Major Characters Viola Like most of Shakespeare’s heroines, Viola is a tremendously likable figure. She has no serious faults, and we can easily discount the peculiarity of her decision to dress as a man, since it sets the entire plot in motion. She is the character whose love seems the purest. The other characters’ passions are fickle: Orsino jumps from Olivia to Viola, Olivia jumps from Viola to Sebastian, and Sir Toby and Maria’s marriage seems more a matter of whim than an expression of deep and abiding passion. Only Viola seems to be truly, passionately in love as opposed to being self-indulgently lovesick. As she says to Orsino, describing herself and her love for him: She pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief. Was not this love indeed? (II. iv. 111–114) The audience, like Orsino, can only answer with an emphatic yes. Viola’s chief problem throughout the play is one of identity. Because of her disguise, she must be both herself and Cesario. This mounting identity crisis culminates in the final scene, when Viola finds herself surrounded by people who each have a different idea of who she is and are unaware of who she actually is. Were Twelfth Night not a comedy, this pressure might cause Viola to break down. Sebastian’s appearance at this point, however, effectively saves Viola by allowing her to be herself again. Sebastian, who independent of his sister is not much of a character, takes over the aspects f Viola’s disguise that she no longer wishes to maintain. Thus liberated by her brother, Viola is free to shed the roles that she has accumulated throughout the play, and she can return to being Viola, the woman who has loved and won Orsino. Orsino and Olivia Orsino and Olivia are worth discussing together, because they have similar personalities. Both claim to be buffeted by s trong emotions, but both ultimately seem to be self-indulgent individuals who enjoy melodrama and self-involvement more than anything. When we first meet them, Orsino is pining away for love of Olivia, while Olivia pines away for her dead brother. They show no interest in relating to the outside world, preferring to lock themselves up with their sorrows and mope around their homes. Viola’s arrival begins to break both characters out of their self-involved shells, but neither undergoes a clear-cut change. Orsino relates to Viola in a way that he never has to Olivia, diminishing his self-involvement and making him more likable. Yet he persists in his belief that he is in love with Olivia until the final scene, in spite of the fact that he never once speaks to her during the course of the play. Olivia, meanwhile, sets aside her grief when Viola (disguised as Cesario) comes to see her. But Olivia takes up her own fantasy of lovesickness, in which she pines away—with a self-indulgence that mirrors Orsino’s—for a man who is really a woman. Ultimately, Orsino and Olivia seem to be out of touch with real emotion, as demonstrated by the ease with which they shift their affections in the final scene—Orsino from Olivia to Viola, and Olivia from Cesario to Sebastian. The similarity between Orsino and Olivia does not diminish with the end of the play, since the audience realizes that by marrying Viola and Sebastian, respectively, Orsino and Olivia are essentially marrying female and male versions of the same person. Malvolio Malvolio initially seems to be a minor character, and his humiliation seems little more than an amusing subplot to the Viola-Olivia-Orsino- love triangle. But he becomes more interesting as the play progresses, and most critics have judged him one of the most complex and fascinating characters in Twelfth Night. When we first meet Malvolio, he seems to be a simple type—a puritan, a stiff and proper servant who likes nothing better than to spoil other people’s fun. It is this dour, fun-despising side that earns him the enmity of the zany, drunken Sir Toby and the clever Maria, who together engineer his downfall. But they do so by playing on a side of Malvolio that might have otherwise remained hidden—his self-regard and his remarkable ambitions, which extend to marrying Olivia and becoming, as he puts it, â€Å"Count Malvolio† (II. v. 30). When he finds the forged letter from Olivia (actually penned by Maria) that seems to offer hope to his ambitions, Malvolio undergoes his first transformation—from a stiff and wooden embodiment of priggish propriety into an personification of the power of self–delusion. He is ridiculous in these scenes, as he capers around in the yellow stockings and crossed garters that he thinks will please Olivia, but he also becomes pitiable. He may deserve his come-uppance, but there is an uncomfortable universality to his experience. Malvolio’s misfortune is a cautionary tale of ambition overcoming good sense, and the audience winces at the way he adapts every event—including Olivia’s confused assumption that he must be mad—to fit his rosy picture of his glorious future as a nobleman. Earlier, he embodies stiff joylessness; now he is joyful, but in pursuit of a dream that everyone, except him, knows is false. Our pity for Malvolio only increases when the vindictive Maria and Toby confine him to a dark room in Act IV. As he desperately protests that he is not mad, Malvolio begins to seem more of a victim than a victimizer. It is as if the unfortunate steward, as the embodiment of order and sobriety, must be sacrificed so that the rest of the characters can indulge in the hearty spirit that suffuses Twelfth Night. As he is sacrificed, Malvolio begins to earn our respect. It is too much to call him a tragic figure, however—after all, he is only being asked to endure a single night in darkness, hardly a fate comparable to the sufferings of King Lear or Hamlet. But there is a kind of nobility, however limited, in the way that the deluded steward stubbornly clings to his sanity, even in the face of Feste’s insistence that he is mad. Malvolio remains true to himself, despite everything: he knows that he is sane, and he will not allow anything to destroy this knowledge. Malvolio (and the audience) must be content with this self-knowledge, because the play allows Malvolio no real recompense for his sufferings. At the close of the play, he is brought out of the darkness into a celebration in which he has no part, and where no one seems willing to offer him a real apology. â€Å"I’ll be revenged on the whole pack of you,† he snarls, stalking out of the festivities (V. i. 365). His exit strikes a jarring note in an otherwise joyful comedy. Malvolio has no real place in the anarchic world of Twelfth Night, except to suggest that, even in the best of worlds, someone must suffer while everyone else is happy. I n the kingdom of Illyria, a nobleman named Orsino lies around listening to music, pining away for the love of Lady Olivia. He cannot have her because she is in mourning for her dead brother and refuses to entertain any proposals of marriage. Meanwhile, off the coast, a storm has caused a terrible shipwreck. A young, aristocratic-born woman named Viola is swept onto the Illyrian shore. Finding herself alone in a strange land, she assumes that her twin brother, Sebastian, has been drowned in the wreck, and tries to figure out what sort of work she can do. A friendly sea captain tells her about Orsino’s courtship of Olivia, and Viola says that she wishes she could go to work in Olivia’s home. But since Lady Olivia refuses to talk with any strangers, Viola decides that she cannot look for work with her. Instead, she decides to disguise herself as a man, taking on the name of Cesario, and goes to work in the household of Duke Orsino. Viola (disguised as Cesario) quickly becomes a favorite of Orsino, who makes Cesario his page. Viola finds herself falling in love with Orsino—a difficult love to pursue, as Orsino believes her to be a man. But when Orsino sends Cesario to deliver Orsino’s love messages to the disdainful Olivia, Olivia herself falls for the beautiful young Cesario, believing her to be a man. The love triangle is complete: Viola loves Orsino, Orsino loves Olivia, and Olivia loves Cesario—and everyone is miserable. Meanwhile, we meet the other members of Olivia’s household: her rowdy drunkard of an uncle, Sir Toby; his foolish friend, Sir Andrew Aguecheek, who is trying in his hopeless way to court Olivia; Olivia’s witty and pretty waiting-gentlewoman, Maria; Feste, the clever clown of the house; and Malvolio, the dour, prudish steward of Olivia’s household. When Sir Toby and the others take offense at Malvolio’s constant efforts to spoil their fun, Maria engineers a practical joke to make Malvolio think that Olivia is in love with him. She forges a letter, supposedly from Olivia, addressed to her beloved (whose name is signified by the letters M. O. A. I. ), telling him that if he wants to earn her favor, he should dress in yellow stockings and crossed garters, act haughtily, smile constantly, and refuse to explain himself to anyone. Malvolio finds the letter, assumes that it is addressed to him, and, filled with dreams of marrying Olivia and becoming noble himself, happily follows its commands. He behaves so strangely that Olivia comes to think that he is mad. Meanwhile, Sebastian, who is still alive after all but believes his sister Viola to be dead, arrives in Illyria along with his friend and protector, Antonio. Antonio has cared for Sebastian since the shipwreck and is passionately (and perhaps sexually) attached to the young man—so much so that he follows him to Orsino’s domain, in spite of the fact that he and Orsino are old enemies. Sir Andrew, observing Olivia’s attraction to Cesario (still Viola in disguise), challenges Cesario to a duel. Sir Toby, who sees the prospective duel as entertaining fun, eggs Sir Andrew on. However, when Sebastian—who looks just like the disguised Viola—appears on the scene, Sir Andrew and Sir Toby end up coming to blows with Sebastian, thinking that he is Cesario. Olivia enters amid the confusion. Encountering Sebastian and thinking that he is Cesario, she asks him to marry her. He is baffled, since he has never seen her before. He sees, however, that she is wealthy and beautiful, and he is therefore more than willing to go along with her. Meanwhile, Antonio has been arrested by Orsino’s officers and now begs Cesario for help, mistaking him for Sebastian. Viola denies knowing Antonio, and Antonio is dragged off, crying out that Sebastian has betrayed him. Suddenly, Viola has newfound hope that her brother may be alive. Malvolio’s supposed madness has allowed the gleeful Maria, Toby, and the rest to lock Malvolio into a small, dark room for his treatment, and they torment him at will. Feste dresses up as â€Å"Sir Topas,† a priest, and pretends to examine Malvolio, declaring him definitely insane in spite of his protests. However, Sir Toby begins to think better of the joke, and they allow Malvolio to send a letter to Olivia, in which he asks to be released. Eventually, Viola (still disguised as Cesario) and Orsino make their way to Olivia’s house, where Olivia welcomes Cesario as her new husband, thinking him to be Sebastian, whom she has just married. Orsino is furious, but then Sebastian himself appears on the scene, and all is revealed. The siblings are joyfully reunited, and Orsino realizes that he loves Viola, now that he knows she is a woman, and asks her to marry him. We discover that Sir Toby and Maria have also been married privately. Finally, someone remembers Malvolio and lets him out of the dark room. The trick is revealed in full, and the embittered Malvolio storms off, leaving the happy couples to their celebration. Themes, Motifs & Symbols Themes Themes are the fundamental and often universal ideas explored in a literary  work. Love as a Cause of Suffering Twelfth Night is a romantic comedy, and romantic love is the play’s main focus. Despite the fact that the play offers a happy ending, in which the various lovers find one another and achieve wedded bliss, Shakespeare shows that love can cause pain. Many of the characters seem to view love as a kind of curse, a feeling that attacks its victims suddenly and disruptively. Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love. At one point, Orsino depicts love dolefully as an â€Å"appetite† that he wants to satisfy and cannot (I. i. 1–3); at another point, he calls his desires â€Å"fell and cruel hounds† (I. i. 21). Olivia more bluntly  describes love as a â€Å"plague† from which she suffers terribly  (I. v. 265). These metaphors contain an element of violence, further painting the love-struck as victims of some random force in the universe. Even the less melodramatic Viola sighs unhappily that â€Å"My state is desperate for my master’s love† (II. ii. 35). This desperation has the potential to result in violence—as in Act V, scene i, when Orsino threatens to kill Cesario because he thinks that -Cesario has forsaken him to become Olivia’s lover. Love is also exclusionary: some people achieve romantic happiness, while others do not. At the end of the play, as the happy lovers rejoice, both Malvolio and Antonio are prevented from having the objects of their desire. Malvolio, who has pursued Olivia, must ultimately face the realization that he is a fool, socially unworthy of his noble mistress. Antonio is in a more difficult situation, as social norms do not allow for the gratification of his apparently sexual attraction to Sebastian. Love, thus, cannot conquer all obstacles, and those whose desires go unfulfilled remain no less in love but feel the sting of its absence all the more severely. The Uncertainty of Gender Gender is one of the most obvious and much-discussed topics in the play. Twelfth Night is one of Shakespeare’s so-called transvestite comedies, in which a female character—in this case, Viola—disguises herself as a man. This situation creates a sexual mess: Viola falls in love with Orsino but cannot tell him, because he thinks she is a man, while Olivia, the object of Orsino’s affection, falls for Viola in her guise as Cesario. There is a clear homoerotic subtext here: Olivia is in love with a woman, even if she thinks he is a man, and Orsino often remarks on Cesario’s beauty, suggesting that he is attracted to Viola even before her male disguise is removed. This latent homoeroticism finds an explicit echo in the minor character of Antonio, who is clearly in love with his male friend, Sebastian. But Antonio’s desires cannot be satisfied, while Orsino and Olivia both find tidy heterosexual gratification once the sexual ambiguities and deceptions are straightened out. Yet, even at the play’s close, Shakespeare leaves things somewhat murky, especially in the Orsino-Viola relationship. Orsino’s declaration of love to Viola suggests that he enjoys prolonging the pretense of Viola’s masculinity. Even after he knows that Viola is a woman, Orsino says to her, â€Å"Boy, thou hast said to me a thousand times / Thou never should’st love woman like to me† (V. i. 260–261). Similarly, in his last lines, Orsino declares, â€Å"Cesario, come— / For so you shall be while you are a man; / But when in other habits you are seen, / Orsino’s mistress, and his fancy’s queen† (V. i. 372–375). Even once everything is revealed, Orsino continues to address Viola by her male name. We can thus only wonder whether Orsino is truly in love with Viola, or if he is more enamoured of her male persona. The Folly of Ambition The problem of social ambition works itself out largely through the character of Malvolio, the steward, who seems to be a competent servant, if prudish and dour, but proves to be, in fact, a supreme egotist, with tremendous ambitions to rise out of his social class. Maria plays on these ambitions when she forges a letter from Olivia that makes Malvolio believe that Olivia is in love with him and wishes to marry him. Sir Toby and the others find this fantasy hysterically funny, of course—not only because of Malvolio’s unattractive personality but also because Malvolio is not of noble blood. In the class system of Shakespeare’s time, a noblewoman would generally not sully her reputation by marrying a man of lower social status. Yet the atmosphere of the play may render Malvolio’s aspirations less unreasonable than they initially seem. The feast of Twelfth Night, from which the play takes its name, was a time when social hierarchies were turned upside down. That same spirit is alive in Illyria: indeed, Malvolio’s antagonist, Maria, is able to increase her social standing by marrying Sir Toby. But it seems that Maria’s success may be due to her willingness to accept and promote the anarchy that Sir Toby and the others embrace. This Twelfth Night spirit, then, seems to pass by Malvolio, who doesn’t wholeheartedly embrace the upending of order and decorum but rather wants to blur class lines for himself alone. Motifs Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes. Letters, Messages, and Tokens Twelfth Night features a great variety of messages sent from one character to another—sometimes as letters and other times in the form of tokens. Such messages are used both for purposes of communication and miscommunication—sometimes deliberate and sometimes accidental. Maria’s letter to Malvolio, which purports to be from Olivia, is a deliberate (and successful) attempt to trick the steward. Sir Andrew’s letter demanding a duel with Cesario, meanwhile, is meant seriously, but because it is so appallingly stupid, Sir Toby does not deliver it, rendering it extraneous. Malvolio’s missive, sent by way of Feste from the dark room in which he is imprisoned, ultimately works to undo the confusion caused by Maria’s forged letter and to free Malvolio from his imprisonment. But letters are not the only kind of messages that characters employ to communicate with one another. Individuals can be employed in the place of written communication—Orsino repeatedly sends Cesario, for instance, to deliver messages to Olivia. Objects can function as messages between people as well: Olivia sends Malvolio after Cesario with a ring, to tell the page that she loves him, and follows the ring up with further gifts, which symbolize her romantic attachment. Messages can convey important information, but they also create the potential for miscommunication and confusion—especially with characters like Maria and Sir Toby manipulating the information. Madness No one is truly insane in Twelfth Night, yet a number of characters are accused of being mad, and a current of insanity or zaniness runs through the action of the play. After Sir Toby and Maria dupe Malvolio into believing that Olivia loves him, Malvolio behaves so bizarrely that he is assumed to be mad and is locked away in a dark room. Malvolio himself knows that he is sane, and he accuses everyone around him of being mad. Meanwhile, when Antonio encounters Viola (disguised as Cesario), he mistakes her for Sebastian, and his angry insistence that she recognize him leads people to assume that he is mad. All of these incidents feed into the general atmosphere of the play, in which normal life is thrown topsy-turvy, and everyone must confront a reality that is somehow fractured. Disguises Many characters in Twelfth Night assume disguises, beginning with Viola, who puts on male attire and makes everyone else believe that she is a man. By dressing his protagonist in male garments, Shakespeare creates endless sexual confusion with the Olivia-Viola–Orsino love triangle. Other characters in disguise include Malvolio, who puts on crossed garters and yellow stockings in the hope of winning Olivia, and Feste, who dresses up as a priest—Sir Topas—when he speaks to Malvolio after the steward has been locked in a dark room. Feste puts on the disguise even though Malvolio will not be able to see him, since the room is so dark, suggesting that the importance of clothing is not just in the eye of the beholder. For Feste, the disguise completes his assumption of a new identity—in order to be Sir Topas, he must look like Sir Topas. Viola puts on new clothes and changes her gender, while Feste and Malvolio put on new garments either to impersonate a nobleman (Feste) or in the hopes of becoming a nobleman (Malvolio). Through these disguises, the play raises questions about what makes us who we are, compelling the audience to wonder if things like gender and class are set in stone, or if they can be altered with a change of clothing. Mistaken Identity The instances of mistaken identity are related to the prevalence of disguises in the play, as Viola’s male clothing leads to her being mistaken for her brother, Sebastian, and vice versa. Sebastian is mistaken for Viola (or rather, Cesario) by Sir Toby and Sir Andrew, and then by Olivia, who promptly marries him. Meanwhile, Antonio mistakes Viola for Sebastian, and thinks that his friend has betrayed him when Viola claims to not know him. These cases of mistaken identity, common in Shakespeare’s comedies, create the tangled situation that can be resolved only when Viola and Sebastian appear together, helping everyone to understand what has happened. Symbols Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts. Olivia’s Gifts When Olivia wants to let Cesario know that she loves him, she sends him a ring by way of Malvolio. Later, when she mistakes Sebastian for Cesario, she gives him a precious pearl. In each case, the jewel serves as a token of her love—a physical symbol of her romantic attachment to a man who is really a woman. The gifts are more than symbols, though. â€Å"Youth is bought more oft than begged or borrowed,† Olivia says at one point, suggesting that the jewels are intended almost as bribes—that she means to buy Cesario’s love if she cannot win it (III. iv. 3). The Darkness of Malvolio’s Prison When Sir Toby and Maria pretend that Malvolio is mad, they confine him in a pitch-black chamber. Darkness becomes a symbol of his supposed insanity, as they tell him that the room is filled with light and his inability to see is a sign of his madness. Malvolio reverses the symbolism. â€Å"I say this house is as dark as ignorance, though ignorance were as dark as hell; and I say there was never man thus abused† (IV. ii. 40–42). In other words, the darkness—meaning madness—is not in the room with him, but outside, with Sir Toby and Feste and Maria, who have unjustly imprisoned him. Changes of Clothing Clothes are powerful in Twelfth Night. They can symbolize changes in gender—Viola puts on male clothes to be taken for a male— as well as class distinctions. When Malvolio fantasizes about becoming a nobleman, he imagines the new clothes that he will have. When Feste impersonates Sir Topas, he puts on a nobleman’s garb, even though Malvolio, whom he is fooling, cannot see him, suggesting that clothes have a power that transcends their physical function. Twelfth Night – Analysis of Fools A fool can be defined in many meanings according to the Oxford English Dictionary On Historical Principles. The word could mean â€Å"a silly person†, or â€Å"one who professionally counterfeits folly for the entertainment of others, a jester, clown† or â€Å"one who has little or no reason or intellect† or â€Å"one who is made to appear to be a fool† (word originated from North Frisian). In english literature, the two main ways which the fool could enter imaginative literature is that â€Å"He could provide a topic, a theme for mediation, or he could turn into a stock character on the stage, a stylized comic figure†. In William Shakespeare’s comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery. He and many other characters combine their silly acts and wits to invade other characters that â€Å"evade reality or rather realize a dream†, while â€Å"our sympathies go out to those†. â€Å"It is natural that the fool should be a prominent & attractive figure and make an important contribution to the action† in forming the confusion and the humor in an Elizabethan drama. In Twelfth Night, the clown and the fools are the ones who combine humor ;amp; wit to make the comedy work. Clowns, jesters, and Buffoons are usually regarded as fools. Their differences could be of how they dress, act or portrayed in society. A clown for example, â€Å"was understood to be a country bumpkin or ‘cloun'†. In Elizabethan usage, the word ‘clown’ is ambiguous â€Å"meaning both countryman and principal comedian†. Another meaning given to it in the 1600 is â€Å"a fool or jester†. As for a buffoon, it is defined as â€Å"a man whose profession is to make low jests and antics postures; a clown, jester, fool†. The buffoon is a fool because â€Å"although he exploits his own weaknesses instead of being exploited by others†¦. he resembles other comic fools†. This is similar to the definition of a ‘Jester’ who is also known as a â€Å"buffoon, or a merry andrew. One maintained in a prince’s court or nobleman’s household†. As you can see, the buffoon, jester and the clown are all depicted as fools and are related ;amp; tied to each other in some sort of way. They relatively have the same objectives in their roles but in appearance wise (clothes, physical features) they may be different. In Shakespeare’s Twelfth Night, Feste’s role in this Illyrian comedy is significant because â€Å"Illyria is a country permeated with the spirit of the Feast of Fools, where identities are confused, ‘uncivil rule’ applauded†¦ and no harm is done†. In Illyria therefore the fool is not so much a critic of his environment as a ringleader, a merry-companion, a Lord of Misrule. Being equally welcome above and below stairs.. † makes Feste significant as a character. In Twelfth Night, Feste plays the role of a humble clown employed by Olivia’s father playing the licensed fool of their household. We learn this in Olivia’s statement stating that Feste is â€Å"an allowed fool†(I. v. 93) meaning he is licensed, privileged critic to speak the truth of the people around him. We also learn in a statement by Curio to the Duke that Feste is employed by Olivia’s father. Feste the jester†¦ a fool that the Lady Olivia’s father took much pleasure in†(II. iv. 11). Feste is more of the comic truth of the comedy. Although he does not make any profound remarks, he seems to be the wisest person within all the characters in the comedy. Viola remarks this by saying â€Å"This fellow’s wise enough to play the fool†(III. i. 61). Since Feste is a licensed fool, his main role in Twelfth Night is to speak the truth. This is where the humor lies, his truthfulness. In one example he proves Olivia to be a true fool by asking her what she was mourning about. The point

James Doolittle in Aviation Essay Example | Topics and Well Written Essays - 500 words

James Doolittle in Aviation - Essay Example This was not only saving on the cost of fuel for landing and taking off but also saves a lot of time. His acceleration tests indicated that pilots are people who are highly skilled, have endurance in their work and whatever situation they are in when airborne as well as being marked with courage. Aviation is not a very smooth and easy career but with enough education and the characteristics mentioned above, Doolittle showed that all was possible in aviation. He helped create the Air Force Association in 1947 which as meant to assist the military pilots with their aviation issues only they could understand. His most notable achievement according to Krebs, (1993) is the development of instrument flying which involved pilots being trained on using different instruments to navigate and even take control of the aircraft during weather conditions such as clouds, fog, and precipitation among others which were previously hard to maneuver. What his contributions did is make aviation a more lo vable and less feared career. It also made the pilots already in the field become proud of their achievements and especially when the association was formed where they got to share. The development of the instrument flying enabled the pilots to prevent blind flying which was brought about by confusion in motion senses during flying. His courage also gave the other pilots and pilots aspirants have the courage to try out their own â€Å"tricks† that would ensue in later aviation developments and discoveries.

Discuss nature vs. nurture Essay Example | Topics and Well Written Essays - 1000 words

Discuss nature vs. nurture - Essay Example The ‘nature versus nurture’ debate for instance is one of the binaries that offer certain perspectives explaining human attitudes and behavior. Socialization as one of the factors influencing human behavior (Berger and Luckmann 42-50) was primarily introduced by sociologists to emphasize the role of the environment and society in the formation of their self-concept and identity. In the field of psychology, behaviorism on the basis of human instincts and stimulus-response was considered to be one of the major theories that explain human nature. In analysis, in contrast with psychological theories, sociological explanations of human behavior are leaning toward the ‘nurture’ side of the debate; thus, placing psychology on the ‘nature’ side. However, through further studies and exploration of the subject, integrative theories about human behavior are also introduced. Social behaviorism pioneered by George Herbert Mead (1913) and psycho-social develo pment introduced by Erik Erikson (1950) are examples of the integrative works. In this paper, an exploration of ‘nature-nurture’ debate will be presented by examining the basis and foundations of both perspectives. The discussion about the importance of socialization in human thinking and behavior will also be analyzed. Moreover, other factors influencing and explaining human nature will be discussed to see how such matters contribute to the development of human behavior. In the process of human development, many contributing factors are regarded to be influential in one’s growth. In an extreme theoretical position, human experiences are considered to be the primary factor affecting behavior (see Schutz 32). Socialization through interaction with others influences an individual’s way of thinking about his or her reality. More importantly, interaction affects one’s idea of the self as he or she tries to situate him or herself within the context of so cial categories. In Mead’s The Social Self, he explained how interactions with individuals help us develop our self-consciousness. Socialization with others helps us realize the existence of ‘the other’ and thus, the existence of oneself (Mead 374). Through interaction, the recognition of the ‘I’ becomes possible. Through self-consciousness and the recognition of others around an individual, language becomes a necessary tool to further identify oneself. In here, communication through language is given importance as such eventually explains more about human nature; that is, explaining our uniqueness in contrast with the non-speaking animals. In Mead’s theory, the concept of ‘the social self’ (374-380) ultimately emphasizes the relation of the self to others in the social world. Though the theory is seemingly grounded on abstract concepts, Mead was able to explain his theory objectively with reference to behaviorism. Apparently, Mea d’s mature social psychology offered an example of how ideas coming from opposing arenas can be integrated in a single work (see Cook 67). To further explain human behavior, we can also observe how scholars attributes it to human ‘instincts’ and the biological and psychological state of a person. In this perspective, ‘nature’ was considered to be the primary cause of human behavior. In the field of psychology, most established theories are based on this assumption reflecting the preferred ‘objective’

Dualism Essay Example | Topics and Well Written Essays - 1000 words

Dualism - Essay Example One key feature about dualism also has to do with the fact that greater percentage of the commentators who have discusses or written about the subject before appreciate dualism from the mind-body perspective. There seem to be this uniformity of agreement among the commentators because the mind-body perspective of dualism is considered to be the basis or history behind dualism whereby â€Å"humans have (or seem to have) both physical properties and mental properties† (Howard, 2011). In the following sections, the subject of dualism as presented from selected view points is discussed. Platonic Dualism The perspective of Plato’s dualism is related to the human life as well but Plato tackles the entities of body and soul instead of mind and body. Generally, Plato’s points and arguments on dualism are considered as the oldest. In his opinion, the body and soul of humans are two different entities that live for two different purposes. As such, Plato asserts that when o ne of the entities departs or dies, the other lives on. The College of Letters, Arts & Social Sciences (2001) posits that Plato’s view on a separation of the body from the soul (in such a way that they are two different entiries) is perfectly backed by the Torah. The debate between Plato’s assertions that the soul lives after live is however challenged by the scholars of the Torah. This is because the latter argue that â€Å"when God communicates with the Hebrews in the Torah, his covenant explicitly references rewards in this life, not an afterlife† (College of Letters, Arts & Social Sciences, 2001). This means that contrary to Plato’s beliefs that the soul lives after the body dies and that the souls faces reward or punishment based on the actions it performed when the body lived, scholars of the Torah refute this Socrates’ perspective of Dualism Socrates also holds a dynamic view of dualism with a lot of similarities with the views shared by Pla to. Actually, Socrates confirms that the body and soul are two independent entities of live and those they are the central point of human dualism. Idealistically, Socrates may differ from Plato in the sense that whereas Plato advocates total independence of the body from the soul and sees them as two individuals who never depend on the other, Socrates argue that the soul has a lot of relation and dependence on the body and that the body actually imprisons the soul as long as the body lives. To this end, â€Å"Socrates argues that death is a good thing because it frees the soul from the body in which it was effectively imprisoned† (Clark, 2010). The implication that is got from this assertion is that the soul is a representation of truth and wisdom and thus as an entity living in the human being, that is all that the soul seeks to champion. However, the body, which is more directed towards evil and lies is too powerful that if often times overcomes the soul and so hardly allow s the soul to operate independently till death separates the two. St. Augustine’s Dualism St. Augustine takes the subject of dualism to a more religious perspective than just being philosophical. From St. Augustine’s perspective therefore, dualism is debated more as a doctrine than a philosophical

Material Culture Essay 2014-15 Example | Topics and Well Written Essays - 2500 words

Material Culture 2014-15 - Essay Example Culture developed with the human advancement in technology. Technology development leads to the study of the various human cultures Kittler, Winthrop-Young, & Wutz, 1999). Art conservation deals with the objects of culture, it provides a safe and secure environment for the objects under study. The Art conservation centre has its own work ethics just like any other work environment. There are three methods of studying material culture Gregg Finleys, Fleming and Prowns Methods. Gregg Finley was an historian who came up with the methods of studying material culture in the society (Mcluhan, 1962). According to him objects as of value while studying the culture. The object of study has five attributes that should be keenly studied. The five attributes of a significance. The object material is the appearance, composition and the colour of the object. The material of the object can explain presence of some culture in that particular object. Construction of the object can reflect culture in terms of its decoration, dimension, quality of the object and fabrication. The function explains why the object was created and how it is used. Provenance explain the history of the object, the owner of the object, user of the object, where and when the object was created (Muri, 2007). The significance of the object states the importance of the object to the owners and the end user s of the object. The Fleming’s methods provide operation that can be used to relate culture to certain objects. The first operation is the identification of the object; establish some unique features in the object and description of the object. The evaluation is the second operation, the object is compared with others similar object in the society to arrive at the final judgement. The third analysis is the interrelationship of the object with the culture to derive a meaning of the object in the society (Hammer & Swaffar, 2012). The final operation is the

Socrates, the father of western philosophy who discussed the Essay

Socrates, the father of western philosophy who discussed the importance of thinking philosophically in his work the Apology - Essay Example For Socrates, a â€Å"good life† is a â€Å"truthful life† achieved through learning and discussion of one’s own experiences in life. From him, the didactic way of learning sprang, where wisdom is ultimately achieved through conversation and questions, such the one posited above. By examination, we appeal to the intellect and learn what is true. Now to an extent, this may lead to a good life because in knowing our end, we can accept it as proper to man and we can deem it as possible to achieve. However, Socrates was only half correct in supposing that an examination of life is what makes worth living- â€Å"living† and experiencing the truthful life is what makes it worth living. At least for me, what is the point of having an idea without actually â€Å"realizing† it, without acting this ideal life out? Because the truth is, life is not just ideas but our goals is something concrete and material- especially if you will it. The disparity between â€Å"what is† and â€Å"what ought† has long caused debate because ideas may be easy to assume but hard to put in practice. This is where my personally philosophy of walking one’s talk comes in: I assume that everyone wants a happy life, but how many people work hard to achieve that life perhaps by being truthful in one’s thoughts and

The Roman Empire and its neighbors Essay Example | Topics and Well Written Essays - 1250 words

The Roman Empire and its neighbors - Essay Example Furthermore, special attention will be paid to an analysis of the Germanic tribes and their impact on the Roman Empire (Heather 2006, 33-44). What explains the early development of the Roman Empire? The rise of this empire was precluded on the fact that life under Augustus was the ideal form of rule and that rule by one man was actually an ideal form of democracy. According to Chester G. Starr, Jr, Quite widely the subjects felt that they did not have political liberty, and some drew the conclusion that they lived in slavery. Such persons, however, were hasty to add that the slavery of the Roman Empire was preferable to any democracy or put other qualifications on their general line of thought (Starr 1952, 2). From this perspective then, the authoritarian nature of rule under Augustus was conceived of at the time as normal and even ideal. The notion of liberty extended beyond the individual and to the state and since everyone was responsible to obey the laws of the land, true democracy in fact existed. By wrestling control of the state from the landed aristocratic elite and attempting to impact a meritocratic form of rule – albeit with Emperor Augustus at the helm – the facade of democracy was employed as a tool and helps account for the rise of the Roman Empire. As Starr persuasively notes, â€Å"the Empire began when Augustus took the power in his own hands, and the emperor was an autocrat† (Starr 1952, 9). Despite the fact that Augustus was an autocrat, he was perceived by the peasantry as well as the landed elite as someone who could restore the concept of liberty to Rome. The consolidation of the Roman Empire was thus built upon a belief that liberty was restored and that autocratic rule by Augustus was democracy at its best. Accordingly, the regime still felt it necessary to pay lip service to old shibboleths like libertas and demokratia even

Black People and Dorothy Allison Essay Example for Free

Black People and Dorothy Allison Essay Race, class and gender have been a topic for most books that have been written. A lot of books talk about these topics because it is something most people face. Whether youre at work and cant get a promotion because of your gender, excluded from a place because of your class or hated because of your race. Know matter what you will be faced with one if these topics in your life time. Dorothy Allisons Bastard out of Carolina deals with these issues in a very intriguing way. She uses them to keep the story flowing and keep the reader interested. In the novel BOC, Allison uses race, class and gender in a very stereotypical way. The story of Bone takes place in a time where race was a conservational topic. You can say America was split in two groups, the whites and blacks. If you were black life was not easy. Black people were discriminated against. Even though slavery was over the black nation was not accepted by the white people. Racism means Discrimination or prejudice based on race (2). This word was not really used in this book because the narrative was Bone, a white girl. When Bone would visit Aunt Almas apartment she would come to face black children. There and then is when the stereotypes of black people started. The grown ups in Bone had nothing good to say about the niggers that lived by Aunt Alma. Running off with a mans children, living in the dirty place with niggers all around. My little girls having to go up those stairs past those nigger boys. My wife walking the street past those peckerwoods! (Allison 89). The family really did not approve of Aunt Alma living around black people. They were thought to be dirty and uncivilized people. Black people were also thought to be stupid and worthless. Bone was young at the time and did not know what to think about them. But she did not feel the same as her elders. Instead she made friends with them and learned to like them. I think Allison is trying to show the innocence of a child. Most kids are caring and loving until they are taught to hate. Bone grew up in a poor family. They would be considered in todays society as trailer trash. The stereotype of poor white folks was present in Bastard out of Carolina. Anne and Glen did not really have money so it was hard to support the kids. They basically lived with very little. They couldnt settle down at one house so they moved from one run down house to another. A lot of the characters described in this book had a lot of resemblance to what we would consider a red neck. For instance Uncle Travis has a big Chevy. Bone says it was jacked up so high that it easily cradled little kids or pregnant woman (Allison 1). Almost all the boys in the family had trucks. Thats typical for a red neck. Bone describes the Boatwright men as rugged, kind of dirty strong boys. They loved to fight and drink beer. The Boatwright family was big which again stereotyped poor white families. Also poor people are known to have kids out of wedlock. That was the situation Bone was. She was born out of wedlock and she never knew who her father was. That is the significance of the title Bastard out of Carolina. Gender also played a big role in this novel by Dorothy Allison. The male and female gender played a very distinctive role. In the Boatwright family the men are thought to be the physically strong. They take care of the family. They get into fights and are feared by a lot of people in town. Women of that time were supposed to stay at home cook and clean. They were supposed to wait for their husbands and never talk back. But I think Allison reversed the stereotype about women by making the Boatwright women very different. Most of them had jobs and were supporting them selfs. Aunt Raylene and Aunt Alma were some of the girls that lived by themselves. The women were strong too and they stuck together. Another way gender played a role was the relationship between Anne and Glen. From all the Boatwright women Anne was the weakest one. In the relationship Glen basically controlled Anne. Every time he did something bad she would end up forgiving him. Even after she found out he has been beating Bone she forgave him. Glen had all the power and Anne couldnt do anything because she loved him. Bastard out of Carolina faces issues about race, class and gender. Allison builds a world where all these issues are faced. Through the main character Bone, we see how race, class and gender affect her and her family. Race played a role when Bone meets black people for the first time and instead of judging them she became friend with them. The Boatwrights social status is not the best but they are feared by the community. They are considered poor and red necks. The last big issue that is seen in BOC is gender. Allison changed things up by making the women in the family stronger and more independent than other women of that time. In the end I think Allison decided to stereotype race, class and gender to show us it makes things worse then they already are. Work Cited 2 entries found for racism. 2003. Lexico Publishing Group, LLC. 19 Feb. 2006 http://owl. english. purdue. edu/handouts/research/r_mla. html Allison Dorothy. Bastard out of Carolina. New York. Penguin Group. 1993.

Minimum Wage Essay Example for Free

Minimum Wage Essay American workers will have a 1.75$ increase in their hourly wage by the end of 2015, as President Barack Obama recently called to raise the federal minimum wage from $7.25 an hour $9.00 an hour. This increase in the minimum wage of American citizen aims to help people with a low annual wage: cooks, employees of the janitorial industry and many others working these necessary menial occupations are set to benefit. The white house estimates that this measure will boost the wage of approximately 15 millions low-income workers. Raising the minimum wage, according to the White House press, will have some positive effect for low-income families; however, many companies are opposed to raising the minimum wage. A higher wage will have a direct impact on the cost of business. Some economists argue that higher minimum wage will result in an increased unemployment percentage. Although minimum wage laws can fix hourly pay, they cannot guarantee jobs. Employers are not willing to pay a worker more than the value of the additional product that he produces. For example, if a worker produces 4$ worth of goods per hour and because of the minimum wage he has to be paid 5.15$. Since he cost more than what he produces it makes it hard for him to find a job. At one point in the article, the President said that one of the best ways to get the economy going again is to put money in the pockets of people who work. (Lowrey)It is true that families with low income will earn more money: it is projected that a family that is earning $20,000 to $30,000 a year will see an additional $3,500 in their income. (Lowrey) This general positive outcome of increasing the minimum wage has led many law makers to wrongly assume that increasing the minimum wage is an effective way to fight  poverty. From the point of view of an economist, raising the minimum wage may increases the probability that a poor family will escape poverty through higher wages, but it does increase the probability of another family with average income will become poor as a result of minimum wage giving rise to inflation. It also decreases the proportion of families with income near the poverty line, suggesting that it more will be more difficult to escape poverty. We all know that if the minimum wage increases then the cost of living will inevitably increase as well as a result of inflation. Economists are against minimum wage laws because they create a price floor. In this case, a price floor is not the price that products can be sold for, but what price employers can spend on their employees. For non-economists, legislating a minimum wage is commonly seen as an effective way of giving raises to low-wage workers. Unfortunately it, like any other price floor, creates a surplus. In this case, the surplus is a larger than expected number of workers more of are willing to work in minimum-wage jobs than there are employers willing to hire at that wage. Economists think that there should not be any policies concerning wages: an employee should be paid what the employer thinks he/she deserves. Minimum wage increases make unskilled workers more expensive and therefore undesirable relative to all other factors of production. (Mankiw) For example, if skilled workers make 15$/hour and unskilled workers make three dollars an hour, skilled workers are five times as expensive as the unskilled. Imposing a minimum wage of five dollars an hour makes skilled workers relatively more attractive by making them only three times as expensive as unskilled workers. Another important characteristic of the policy to increase minimum wage that was not discussing in the article is that it may also negatively impact workers by changing how they are compensated. Benefits such as paid vacation, free room and board; inexpensive insurance and subsidized childcare are an important part of the total compensation for many low wageworkers. (Mankiw) When minimum wages rise, employers can control total compensation costs by cutting benefits; such is the case for the United States today. The employer always had to follow the minimum wage in order to pay their employee. The minimum wage should not be existent nowadays; the employer should have the choice to pay their employee based on their knowledge. An employee that knows more and produces more should have an higher hourly range. Sources: Textbook Mankiw, N. Gregory. Principles of Economics. 6th. Mason, OH, USA: 2012. Print. Website: Lowrey, Annie. Raising Minimum Wage Would Ease Income Gap but Carries Political Risks. New York Times. N.p., 13-02-2013. Web. 5 Oct 2013. .